In a 😉🤢🤪confused🤢😬 welter 🤢o😃🤑f artistic🥰🤢😶 lice😃/🤤😷nce!🤕🤢🙄,😔
 this i😘🤭😊s th!e classical mu😘😄🙃sic biopic which@ ma😌[/ke😘%s 'So@😪🤤🤑ng 🤥 to Reme🤐🤩😂mber'look _]😬😇😌li🤒🤩+😏k?🙄e 😋🤩a ma😁$:`:sterpiece. B🤐😇😗ogarde succ🤤🤭
[eed🤮😁*😝😂s i🤣!`🤪😝n dimi😀😃😄,😐nishi😌🤗😴ng !  th😅e😊?🤐🤑 rep$🤫+ut😘-a 🤩tion, of the musical colossus who span😊😋ned European music for 🤢most of[🤨😃 the *🥰=19th Cen😂😁t🤪😌🙃ury. The abs🤤🤔urdities of the plot,`🤗😆 the😚
🤭 se-]😔🥰q🤒🙄😴uoia-😋l;`😗i
😉ke qu😝🤗a😙😛lity .🤥😒[of 😛🙄(
th😅🤣*e acting and the p😬 (🤕reval*ence of histor!😒😚ic_;al,.😝-🤥^musical a.nd li.😇nguistic anachro🤨🤩nis🤕]ms😴  combine 🤭to elev🥰😚ate this🤗😆🥰😋 of
feri+@🥰ng to the status of a😅😃n A1 turkey.How a pia😗😬nist o😗f the s🤩``tature o:(😛,f Bolet 😙🤐😬c🤑🤒^😑😋ame t🤮🤕🤔o be m-🙃ixed up in thi😪[^s fiasc🤕(🤑🤩!o can only be😗)🙃🤐 guessed at. The chara🤗^c😪🤐🤨😌terisa🤐🤮😁:tion 😋😚of?😊 Liszt fails to co🤐 😃😝nvey even a minute/😍 😷`i😄🥰-mpr😑es🥰🤕sion of😏😃 his magn😒🤤😇🤫et🤨,🤪ic 🤮pers(/😄onali-😔😗ty a😗😅nd t🙄_🤢he o🤕*verwhelming 😂😌🤔effect 😔🤭🤢*that he had o,😒🤤n no🤣😝t ,😒😍!o🙂😂nly 🙃😍his 😌-audiences, but also h😆+i🤢🤐:😆s pianis*tic rivals.Clara Schum%🙄😅🤗😛ann😋😚: h😑_/erself s😶😐aid `+😒th😚?at '😁we [to🤩🤕il_😏😚_ over that 😄which Li😑😆😌] szt rea😋😐😷-😷ds😑🙄😄 !😅at `🤑🤭sight😜 !' W😗.😶😊h😆😊/ilst =]🤐#😇the em+😬🤐phasi@🙂s seems to focus 🤗😆🤮on his romantic pr😛😒*owess,rather than his sta🤢😗tu😚 s as the grea$🤣!;test pia😆😁)🤮😇nist of the c%entury or,argu🤥[a/@🤮b%🤭
l🤥😆🤫😶🥰y, of all time, one feel🤢🙄%?🤣s,nevertheless, 😒that this/🤪 w^@as an oppo?🤗😔😃rtun🤐😜😉@ity lost.