It 😔🤥^is a grea🤗🙂😝😬😒t film😆
😷 by a g🤕r😶eat director.Kira Mu=😪!rato😘🤪😜va h🙄 😏😊as neve🤗r 🤒🤭:been 😷😇given😚 🤫😑her 😌😚😃due in the Soviet and post-Sov(😔
iet Russia.In the Long Good By😝😄🤐e 😚[😁she depic🤐🤗😑 t🙄😃s ( 😁:🤢a seemingly😑😚🤔 banal s(/😛tory of 😇🤨a j😪
^ealo🙄😆us a)🙃😗🤮n#😉;d posse🤒😗ssiv😬🤣🤐e mo🤒🤔😊the🤫\😬`r (brilliantly acted😋 b🤩😙y Z🤩🤑🤪😛😚ina😉?id😐]🤮😔a Sharko) @ and her poor al(😪+🥰oof and lonely son (😊😍th😐🤑e on🙃% ly \🤨ci😚😶nematic role by😇🤔 😔 🙃🤑the 🤗🤗😜[talente\: 😬d😚 O. Vl.* 🙄a🤨😑😋^dimirsky). The 😗🥰🙂🤮st?🤕😆😶o@-!🤮ry - which is nothing extra😪😆😬ord😴😂i$?nary in itself - 😜#gro😚;ws into the wo^😬n😬derfu🤭😆😌l\[😍 and f😘\rightening analysis of alie@:;🤩nation bet😊😁wee😷n gende @rs🤢😙  a🤑😊%nd generations 😐 on the bac_😛😇kg+🙃😋r😜😍ound 🤮🤨of the even mo`
re🤗! fri😋!ghteni🙄😒🤩_😚n😙😘🤑g😪🙄ly b/🤨😊leak and dehu😷\🤣=man😙😗😐ized Soviet reality.Kira Muratova shows the ti😏:ny details o😘😐f e#😒+🤢v🤪😴.eryda😗y😇😀 S😌[$o\🤤v😁]iet life\=,and, again , ba]@nal as t]*😀🤫he%😏
y are ,they are a h😗🤨air$(🤭-ra:😜😊,ising horror.The di
😅_🙂😇alog]ue is del^🤐😌ib😆😚erately laconic and 
void 😷-o😜f😃😜😍 any sen😘#😌.se, showing /;😐🤐the ever-growing people's i😶[🤒nability t[😶 o 😐😀-😂com😜muni😑🤩😗cate and unde😇rstand ea😝🤑[!ch other.The so,@🤭@und track #( by😄)`🤕 another under-e🤪😁🤥^stimate 🙄_😄d 😇😚talent, Oleg Kara😚🙂 va\😋.ichuk)a
😶dds to th😒)😴e at😐😄🤣🤒🤤mos🤑phere🙂`😶? of😉\%🤨 h+o:😜#peless%😙 and meaningless existence.Of cour*😀%se,Sasha (t😃🤭@he name of th🥰😶🤩]e protagonist),will le😚av😷e his `de?sp@🤑ot+
/i😀c ( 🤕but =!🤢😍lov😐)ing!) mother s😔🤮😇o🤔- 😃oner or lat😒😷er, bu😇t 😝whe😝re😊🤐😆🤔😜 for (c)